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is an agglutinative language with person, tense, and number being inflected on the end of and . Its word order is usually subject-object-verb, with the direct object following the indirect object. The grammatical function of the words are marked by that indicate case and postpositions that follow the . It is also head-final and a pro-drop language.

The first treatise on Telugu grammar (), the Andhra Shabda Chintamani () was written in by , who is considered the first poet ( ādikavi) and grammarian of the Telugu language, in the 11th century CE. In the 13th century, Andhra Bhasha Bhushanamu, a foundational Telugu grammar and vocabulary work, was written by the 13th-century scholar Mulaghatika Ketana, and is considered the first comprehensive Telugu grammar written in Telugu. In the 19th century, Paravastu Chinnaya Suri wrote a simplified work on Telugu grammar called Bāla Vyākaraṇam ( lit. Children's grammar), borrowing concepts and ideas from Nannayya, in Telugu.

According to , language without '' or the language which does not adhere to Vyākaranam is called ( lit of the village) or , is unfit for literary usage. All literary texts in Telugu follow the Vyākaraṇam. Following pure telugu movement to minimise loan words and maximize usage of native telugu that is naatu telugu, a melimi telugu version is introduced where the term melimi means "fine" or excellence". grammar for this version is


Nouns
Telugu is more inflected than other literary Dravidian languages. Telugu nouns are inflected for number (singular, plural), gender (masculine, feminine, neuter) and (, , instrumental, , , , and ).

There is a rich system of derivational morphology in Telugu. Verbs and adjectives can be converted into nouns by adding a variety of suffixes.

Example:

  • verb
ceyu + ika = ceyika(action)
  • adjective
manchi + thanam = manchithanam (goodness)


Gender
Telugu has three genders, which govern verb agreement:
  • ( puliṅgamu),
  • feminine (strī liṅgamu),
  • neuter (napunsaka liṅgamu).

In Telugu the occurrence of the (–ḍu) almost always encodes masculine gender. For example:

  • tammuḍu (younger brother),
  • mukhyuḍu (important man),
  • Rāmuḍu (),
  • nāyakuḍu (leader).

However, there are nouns that do not end in (-ḍu) that belong to the masculine class. For example:

  • annayya (elder brother),
  • māmayya (uncle).

Most of the words ending in -ḍu are borrowings from Sanskrit words ending in -a, and therefore the feminine forms of these words are equivalent to the Sanskrit words.

nartaki
vācaki
preyasi
Sometimes, a word ending in -ḍu is feminized by adding the suffix -ālu to the root. The -a ending of the root becomes - ur. This phenomenon is known as the rugāgama sandhi.
nartakurālu
priyurālu
bhakturālu

Neuter-gendered words usually contain the suffix - amu. This suffix descends from the Old Telugu suffix - ambu and is increasingly losing the final -u to become - aṁ. These neuter words are often borrowed from Sanskrit words ending in - a or - u. The final - a usually becomes - amu, and the final - u becomes - uvu.

+ !Sanskrit original !Telugu
ākāśamākāśamu
madhumadhuvu
However, Telugu sometimes uses the same forms for singular feminine and neuter genders– the third person pronoun (అది ) can be used to refer to animals and objects.


Number
Anything with quantity one is singular ( ekavachanam). Anything more than one in number is called plural ( bahuvachanam), as in English. Formation of the plural stem, however, is relatively complicated, although the ending is centered on variants -lu or -ḷu.

In Telugu the plural is also used to as an honorific. Some nouns are and some are always singular. For example, water ( nīru) and milk ( pālu) are always plural.

God ( bhagavantudu), sun ( suryudu), earth ( bhūmi), and moon ( chandrudu) are always singular form.


Plural formation
+ Rules ! rowspan="2"Rule ! colspan="2"Telugu ! rowspan="2"English ! rowspan="2"Notes ! rowspan="2"Exceptions
paṇḍupaṇḍ ḷu
paḷ
ḷu
fruit
pērupēḷ ḷu
pēr
lu
name
  • koḍavalikoḍavanḍḷu, koḍavaḷḷu "sickle"
  • -gāri-gārlu "a honorific suffix"
  • -sāri-sārlu "time"
maniṣimanuṣu luperson


Numerals
Cardinal numbers and quantifiers in Telugu vary based on whether or not the noun being counted is human, or non-human. The numbers from 1-7 have unique forms between the human and non-human forms, whereas numbers greater than 7 simply use the measure word మంది mandi to denote number. Ordinal numbers merely replace the final vowel of the non-human cardinal form with - ō and do not vary between human and non-human nouns.
+ ! ! colspan="4"1 !2 !3 !4 !5 !6 !7 !8 !9 !10


Case
A Grammar of Modern Telugu by Krishnamurti and Gwynn (1985), which focuses on a grammatical description of modern spoken Telugu rather than classical literary Telugu, presents a simple analysis of grammatical case, in comparison with classical Telugu:

Only the nominative, genitive, accusative, and dative cases are regularly used, and the locative case is formed using the suffixes -lō, -lōpala which were originally placed in the Genitive case by traditional grammarians to fit into the Sanskrit case scheme. The instrumental+sociative case suffix is -tō (while classical has -cēn/-cētan for instrumental and -tōn/-tōḍan for sociative); the colloquial suffixes for ablative case are -nuṇḍi/-nuñci. Ablative case is also used for comparative statements in colloquial Telugu, for which the suffixes are -kaṇṭe/-kannā. Another usage of ablative case is to indicate 'because of' noun, where the suffix -valla (classical -valanan) is used. The benefactive suffixes in classical ( -koṟakun/-kai) are completely replaced by -kōsam in modern colloquial Telugu. The genitive form of a noun is defaulted to its oblique stem, i.e., oblique stem of a noun serves as its genitive case by default, though an explicit suffix -yokka is used in formal contexts (refer to oblique stem formation below).

The accusative case suffix is -ni/-nu, with the former always used after final syllables containing -i-, and the latter elsewhere but freely varies with -ni. The intervening vowel is sometimes deleted between -ḍ-, -l-, -n-, -ṇ-, -r- and the suffix, e.g. mimmala "you (plural) + -nimimmalni, vāḍi "him" + -nivāṇṇi ( *-ḍni-ṇṇi).

In neuter nouns, the nominative singular ending -am changes before the accusative and dative case suffixes, such that the combined forms of these endings are neuter accusative singular -ānni (← *-ānini) and neuter dative singular -āniki.

+ !Case !Suffix !Example
-ki/-kuఅతను బడి కి వెళ్తాడు Atanu baḍi ki veḷtāḍu He goes to school
-ni/-nuఅతను అబ్బాయి ని చూస్తాడు Atanu abbāyi ni cūstāḍu He sees the boy
+ Instrumental-tōఅతను కుక్క తో ఆడుకుంటాడు Atanu kukka āḍukuṇṭāḍu He plays with the dog

అతను చేతి తో రాస్తున్నాడు

Atanu cēti rāstunnāḍu He is writing using hand

-nuṇḍi/-nuñci ('from') -kaṇṭē/-kannā (comparative)

-valla ('because of')

అతను ఇంటి నుండి బయలుదేరాడు Atanu iṇṭi nuṇḍi bayaludērǣḍu He set out from home

అతని కంటే నేను పొడుగు

Atani kaṇṭē nēnu poḍugu I am taller than him

అతని వల్ల నేను ఓడిపొయ్యాను

Atani valla ōḍipoyyǣnu I have lost because of him

-lō /lōpalaఅతను గది లో ఉన్నాడు Atanu gadi unnāḍu He is in the room


Oblique stem formation
Formation of the oblique stem, also usually but not always the same as the genitive (by default homophonous unless noted), is relatively complicated just like pluralization. The plural oblique stem, however, is either -la or -ḷa.

+ Classes ! rowspan="2"Class ! colspan="2"Telugu ! rowspan="2"English ! rowspan="2"Notes
kannuka ṇṭi-eye
gorrugor tihearth


Examples
Only nominative, genitive, accusative, and dative cases are shown here.
+ kukka "dog" ! ! Singular ! Plural


Sentence Structure
Telugu word order tends to be subject–object–verb. It is head-final - the head follows its complements. Since Telugu is a pro-drop language, the subject can be omitted as the verb already marks person and number.


Sandhi or joining
is the fusion of sounds across word boundaries and the alteration of sounds due to neighboring sounds or due to the grammatical function of adjacent words.

Telugu sandhis can be divided into native ones and those derived from Sanskrit ones.


Sanskrit Sandhis
These sandhis usually take place when the two words undergoing Sandhi are words borrowed from Sanskrit.


Savarṇadīrghasandhi (Vowel lengthening)
The savarṇadīrgha sandhi, from Sanskrit savarṇa 'same sound' and dīrgha 'long', this sandhi takes place when the first word ends in the same vowel that the second word starts with. The two vowels join to form one long vowel.
+Examples of the savarṇadīrgha sandhi !Initial word !Final word !Result
dev aālayamudēv ālayamu
pārvat iīśvaruḍupārvat īśvaruḍu
aṇ uutpattiaṇ ūtpatti


Guṇasandhi (Vowel raising)
The guṇasandhi takes place when a word final - a is followed by either - i, -u or - r̥. The sandhi yields - ē, -ō and - ar respectively. - ē, -ō and - ar are collectively called the guṇas, hence the name.
+Examples of the guṇasandhi !Initial word !Final word !Result
mah āindramah ēndra
dhan autpattidhan ōtpatti
dēv aṣidēv arṣi


Vr̥ddhisandhi (Diphthongization)
The vr̥ddhisandhi, from Sanskrit vr̥ddhi-, 'growth', takes place when a word final - a is followed by - ē or - ai, -ō or -au, and - ar or - ār, and yields -ai, -au and - ār respectively. -ai, -au and - ār are collectively called the vr̥ddhis, hence the name.
+Examples of the vr̥ddhisandhi !Initial word !Final word !Result
vasudh aēkavasudh aika
mah āaikyatamah aikyata
vīr aōjassuvīr aujassu
divy aauṣadhamudivy auṣadhamu


Yaṇādēśasandhi (Glide insertion)
The yaṇādēśasandhi takes place when word final - i, -u or - is followed by a non-similar vowel. The sandhi yields either - y-, -v- or -r- respectively. These are known as the yaṇās.
+Examples of the yaṇādēśasandhi !Initial word !Final word !Result
at iāśaat yāśa
s uāgatamus vāgatamu
pit ājñapit rājña


Native sandhis
These sandhis usually occur when one or both of the words is a native Telugu word, or is a Sanskrit borrowing that is treated as such (ex. iṣṭamu).


Akārasandhi (Elision of a)
This sandhi occurs when a word final - a is followed by any vowel. The word final - a is removed, and the following vowel takes its place.
+Examples of akārasandhi !Initial word !Final word !Result
iṅkāēṇṭiiṅkēṇṭi
puṭṭinaillupuṭṭinillu
ammaaṇṭēammaṇṭē
teliyakauṇḍenuteliyakuṇḍenu


Ikārasandhi
This sandhi occurs when a word final - i is followed by any vowel. The word final - i is removed, and the following vowel takes its place.
+Examples of ikārasandhi !Initial word !Final word !Result
marieppuḍumareppuḍu
vāḍiilluvāḍillu
ēmiaṇṭiviēmaṇṭivi
ēmia(y)inadiēma(y)inadi
ēmiundiēmundi


Ukārasandhi
This sandhi occurs when a word final - u is followed by any vowel. The word final - u is removed, and the following vowel takes its place.
+Example of ukārasandhi !Initial word !Final word !Result
ceppuiṅkāceppiṅkā
vāḍuevaḍuvāḍevaḍu
nīḷluunnāyānīḷlunnāyā
vāḍuannāḍuvāḍannāḍu


Trikasandhi
One of the most complicated of the sandhis, the trikasandhi is of two forms:

  1. When a final - ā -ī or is followed by a non-clustered consonant, the vowel is shortened, and the unclustered consonant is geminated.
  2. When the word mūḍu (three) is followed by a consonant, the word-final - ḍu is eliminated. This triggers the first rule of the trikasandhi, and the now-word-final is shortened, and the following consonant is geminated. When the consonant is l-, sometimes it is geminated to - ḷḷ- instead.

+Examples of the trikasandhi !Initial word !Final word !Result
īkālamuikkālamu
ēcōṭueccōṭu
ābhaṅgiabbaṅgi
mūḍulōkamulumullōkamulu
mūḍukōṭimukkōṭi


Āmrēḍitasandhi
This sandhi deals with repeated words, i.e., pairs of same words. This sandhi forms some of the most used irregular-looking words in the language. It has three rules:

  1. When a vowel-initial word is repeated, the final vowel of the first word is eliminated.
  2. Word final forms of ka ( ka, ki, ku, ke, etc.) of the first word are eliminated and the first rule is applied.
  3. The andādi words ( anduku, iggulu, tumuru, tuniyalu, etc.) when compounded lead to irregular forms.

+Examples of the āmrēḍitasandhi !Word !Result
auraauraura
endunendendun
appaṭikiappaṭappaṭiki
ūranūrūran
cedurucellāceduru
igguluiṟṟiggulu


Dviruktaṭakārasandhi
Sometimes regarded as a form of the āmrēḍitasandhi, the dviruktaṭakārasandhi occurs when kaḍādi ( kaḍa, naḍuma, madhyāhnamu, bayalu, etc.) words are compounded. A dviruktaṭakāra, a geminated - ṭṭ- forms from this sandhi, hence the name.
+Examples of the dviruktaṭakārasandhi !Initial word !Final word !Result
madhyāhnamumadhyāhnamumi ṭṭamadhyāhnamu
pagalupagalupa ṭṭapagalu
naḍumaiṇṭlōna ṭṭiṇṭlō


Gasaḍadavādēśasandhi
  • Trika Sandhi.
  • Dugagama Sandhi.
  • Saraladesha Sandhi
  • Gasadadavadesha Sandhi.
  • Rugagama Sandhi.
  • Yadagama Sandhi.
  • Prathametara Vibhakti Sandhi.
  • Uchadadi sandhi.


Samasam or nominal compounds
Samasam or samasa occurs with various structures, but morphologically speaking they are essentially the same: each noun (or adjective) is in its (weak) stem form, with only the final element receiving case inflection.

Some of the Telugu samasams are:

  • Tatpuruṣa Samasam.
    • Prathama tatpurusha samasam
    • Dvitiya tatpurusha samasam
    • Trutiya tatpurusha samasam
    • Chaturthi tatpurusha samasam
    • Panchami tatpurusha samasam
    • Shashti tatpurusha samasam
    • Saptami tatpurusha samasam
    • Nai tatpurusha samasam
  • Karmadhāraya Samasam.
    • Viśeshana purwapada karmadharaya samasam
    • Viśeshana uttarapada karmadharaya samasam
    • Viśeshana ubhayapada karmadharaya samasam
    • Upamana purvapada karmadharaya samasam
    • Upamana uttarapada karmadharaya samasam
    • Avadharana purvapada karmadharaya samasam
    • Sambhavana purvapada karmadharaya samasam
  • Samasam.
  • Samasam.
  • Bahuvrīhi Samasam.
  • Samasam.
  • Avyayībhāva Samasam


Alankaram or ornamentation
Telugu Alankaram is a figure of speech which means ornaments or embellishments which are used to enhance the beauty of the poems. There are two types of Alankarams, 'Shabdalankaram' which primarily focuses on Sound and 'Arthalamkaram' which focuses on meaning. These two alankarams are further broken down in to different categories. shabdalankaras are 6 types where as there are nearly 30 to 40 types in ardhalankaras.
  • Shabdalankaram
    • Vruttyanuprasa
    • Chekanuprasa
    • Latanuprasa
    • antyanuprasa
    • Yamakam
    • Mukta pada grastam
  • Arthalamkaram
    • Upamanaalankaram
    • Utprekshaalankaram
    • Rupakaalankaram
    • Shleshalankaram
    • Arthantaranyaasam
    • Atishayokti
    • Drushtantam
    • Swabhavokti
    • vyajastu
    • virodhi
    • vishamamu
    • parikaramu
    • branti madala
    • kramalam


Chandassu or Telugu prosody
Metrical poetry in Telugu is called 'Chandassu' or 'Chandas'. ya-maa-taa-raa-ja-bhaa-na-sa-la-gam is called the chandassu chakram. Utpalamala, Champakamala, Mattebha vikreeditham, Sardoola Vikreeditham, Kanda, Aata veladi, Theta geethi, Sragdhara, Bhujangaprayata, etc. are some metrics used in Telugu poetry.


Verbs
Although the morphological (grammatical) structure of Telugu verbs is quite evidently complex and complicated, the basic conjugation of subject person and number endings in modern spoken Telugu is in fact rather straightforward:


Past tense
+ ! !Past tense !Past tense negative
1st person singular
నేను
nēnu
వెళ్ళాను veḷḷānu
I went
వెళ్ళలేదు
veḷḷalēdu
I didn't go
2nd person singular
నువ్వు
nuvvu
వెళ్ళావు veḷḷāvu
You went
వెళ్ళలేదు
veḷḷalēdu
You didn't go
3rd person singular masculine
అతను
atanu
వెళ్ళాడు veḷḷāḍu
He went
వెళ్ళలేదు
veḷḷalēdu
He didn't go
3rd person singular feminine/neuter
ఆమె
āme
వెళ్ళింది veḷḷindi
She went
వెళ్ళలేదు
veḷḷalēdu
She didn't go
1st person plural
మేము
mēmu
వెళ్ళాము veḷḷāmu
We went
వెళ్ళలేదు
veḷḷalēdu
We didn't go
2nd person plural
మీరు
mīru
వెళ్ళారు veḷḷāru
You (plural) went
వెళ్ళలేదు
veḷḷalēdu
You (plural) didn't go
3rd person plural masculine/feminine
వారు
vāru
వెళ్ళారు veḷḷāru
They (masc./fem.) went
వెళ్ళలేదు
veḷḷalēdu
They (masc./fem.) didn't go
3rd person plural neuter
అవి
avi
వెళ్లాయి veḷlāyi
They (neuter) went
వెళ్ళలేదు
veḷḷalēdu
They (neuter) didn't go

The vowel -ā- is pronounced as in the past tense ending, except in some verbs. In the verbs an- "to say", kan- "to buy", kon- "to bring forth", kūrcun- "to be seated", nilcun- "to stand", tin- " to eat", un- "to be", and vin- " to hear", -nā (with ) is used instead.


Present tense
+ ! !Present tense !Present tense negative
1st person singular
నేను
nēnu
వెళ్తున్నాను veḷtunnānu

I am going

వెళ్లట్లేదు veḷlaṭlēdu

I am not going

2nd person singular
నువ్వు
nuvvu
వెళ్తున్నావు veḷtunnāvu

You are going

వెళ్లట్లేదు veḷlaṭlēdu

You aren't going

3rd person singular masculine
అతను
atanu
వెళ్ళుతున్నాడు veḷḷutunnāḍu

He is going

వెళ్లట్లేదు veḷlaṭlēdu

He isn't going

3rd person singular feminine/neuter
ఆమె
āme
వెళ్తోంది veḷtōndi

She is going

వెళ్లట్లేదు veḷlaṭlēdu

She isn't going

1st person plural
మేము
mēmu
వెళ్తున్నాము veḷtunnāmu

We are going

వెళ్లట్లేదు veḷlaṭlēdu

We aren't going

2nd person plural
మీరు
mīru
వెళ్తున్నారు veḷtunnāru

You (plural) are going

వెళ్లట్లేదు veḷlaṭlēdu

You (plural) aren't going

3rd person plural masculine/feminine
వారు
vāru
వెళ్తున్నారు veḷtunnāru

They (masc./fem.) are going

వెళ్లట్లేదు veḷlaṭlēdu

They (masc./fem.) aren't going

3rd person plural neuter
అవి
avi
వెళ్తున్నాయి veḷtunnāyi

They (neuter) are going

వెళ్లట్లేదు veḷlaṭlēdu

They (neuter) aren't going


Future tense
+ ! !Future tense !Future tense negative
1st person singular
నేను
nēnu
వెళ్తాను veḷtānu

I will go

వెళ్ళను veḷḷanu

I won't go

2nd person singular
నువ్వు
nuvvu
వెళ్తావు veḷtāvu

You will go

వెళ్లవు veḷlavu

You won't go

3rd person singular masculine
అతను
atanu
వెళ్తాడు veḷtāḍu

He will go

వెళ్ళడు veḷḷaḍu

He won't go

3rd person singular feminine/neuter
ఆమె
āme
వెళ్తుంది veḷtundi

She will go

వెళ్ళదు veḷḷadu

She won't go

1st person plural
మేము
mēmu
వెళ్తాము veḷtāmu

We will go

వెళ్ళము veḷḷamu

We won't go

2nd person plural
మీరు
mīru
వెళ్తారు veḷtāru

You (plural) will go

వెళ్ళరు veḷḷaru

You (plural) won't go

3rd person plural masculine/feminine
వారు
vāru
వెళ్తారు veḷtāru

They (masc./fem.) will go

వెళ్ళరు veḷḷaru

They (masc./fem.) won't go

3rd person plural neuter
అవి
avi
వెళ్తాయి veḷtāyi

They (neuter) will go

వెళ్ళవు veḷḷavu

They (neuter) won't go


Imperative
+ !Informal !Formal !Informal negative !Formal negative
వెళ్ళు veḷḷu

Go

వెళ్ళండి veḷḷaṇḍi

Go (formal)

వెళ్ళకు veḷḷaku

Don't go

వెళ్ళకండి veḷḷakaṇḍi

Don't go (formal)


Converbs
Telugu has two types of converbs, present and past. These are heavily used to form compound sentences.
+ !Past !Present
వెళ్ళి veḷḷi

Having gone...

వెళ్తూ veḷ

While going...

  • ఇంటికి వెళ్ళి, కిరణ్ తన ఫోన్ చూసింది. iṇṭiki veḷḷi, kiraṇ tana phon cūsindi. - Kiran went home and looked at her phone.
  • ఇంటికి వెళ్తూ, కిరణ్ తన ఫోన్ చూస్తోంది. iṇṭiki veḷtū, kiraṇ tana phon cūstondi. - Kiran is looking at her phone while going home.

Note that in most cases, all sub clauses using these types of converbs need to share a subject.

  • *వాడు ఇంటికి వెళ్ళి, కిరణ్ తన ఫోన్ చూసింది. * vāḍu iṇṭiki veḷḷi, kiraṇ tana phon cūsindi. - *He went home and Kiran looked at her phone. ( Incorrect)


Participles
Telugu forms relative clauses with participles. There are three main participles in Telugu: the perfective, the imperfective, and the negative.
+ ! colspan="3"Participles of veḷḷu (to go)
వెళ్ళినవెళ్ళేవెళ్ళని
veḷḷinaveḷḷēveḷḷani

  • ఇంటికి వెళ్ళిన బాలుడి పేరు సాహిల్. - Iṇṭiki veḷḷina bāluḍi pēru Sāhil. - The name of the boy who went home is Sahil.
  • ఇంటికి వెళ్ళే బాలుడి పేరు సాహిల్. - Iṇṭiki veḷḷē bāluḍi pēru Sāhil. - The name of the boy who goes home is Sahil.
  • ఇంటికి వెళ్ళని బాలుడి పేరు సాహిల్. - Iṇṭiki veḷḷani bāluḍi pēru Sāhil. - The name of the boy who does not go/ did not go is Sahil.
Notice that the negative participle does not show tense. Context is used to disambiguate the tense in this case.


See also

Telugu Grammar (తెలుగు వ్యాకరణం)

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